This essay places Dorothy L. Sayers’s novel Unnatural Death (1927 ) in the context of heightened xenophobia and racism in interwar Britain, arguing that Sayers attempts to challenge prevalent cultural associations of blackness and criminality. Like Wilkie Collins, Sayers works to critique and undermine racist assumptions and to generate sympathy for the colonial Other
Instead of concurring with most critics that racial passing literature reached its apex during the H...
The article explores questions about Nick Enright's various dramatisations of the murder of Leigh Le...
Hannah Arendt’s monumental study The Origins of Totalitarianism, published in 1951, is a founding te...
Throughout history, women have been perceived as unequal or lower-class in comparison to men. This m...
This essay demonstrates how mid-twentieth-century crime fiction developed in response to midcentury ...
This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oa...
This paper offers a comparative reading of Herman Melville’s romance Moby Dick“ (1851) and George Sa...
PhDThis thesis argues that the representation of black violence in the twentieth century American n...
Dorothy Sayers (1893-1957) is famous for her classic crime thrillers featuring Lord Peter Wimsey. In...
Critics have often sought to place Thomas Hardy’s fiction within a realist generic framework, with a...
In Daphne du Maurier’s Rebecca and Ian McEwan’s Atonement, the protagonists unravel the events of eg...
Although some good work on Collins is now beginning to emerge, complex and central elements in his f...
A significant segment of crime fiction is concerned with the representation of ethnic identities and...
This study attempts to explore an issue that has become the source of embarrassment for one of the g...
This project investigates two early works of African American detective fiction, Pauline Hopkins’ Ha...
Instead of concurring with most critics that racial passing literature reached its apex during the H...
The article explores questions about Nick Enright's various dramatisations of the murder of Leigh Le...
Hannah Arendt’s monumental study The Origins of Totalitarianism, published in 1951, is a founding te...
Throughout history, women have been perceived as unequal or lower-class in comparison to men. This m...
This essay demonstrates how mid-twentieth-century crime fiction developed in response to midcentury ...
This essay explores the relationship between race and ideal democratic citizenship in Joyce Carol Oa...
This paper offers a comparative reading of Herman Melville’s romance Moby Dick“ (1851) and George Sa...
PhDThis thesis argues that the representation of black violence in the twentieth century American n...
Dorothy Sayers (1893-1957) is famous for her classic crime thrillers featuring Lord Peter Wimsey. In...
Critics have often sought to place Thomas Hardy’s fiction within a realist generic framework, with a...
In Daphne du Maurier’s Rebecca and Ian McEwan’s Atonement, the protagonists unravel the events of eg...
Although some good work on Collins is now beginning to emerge, complex and central elements in his f...
A significant segment of crime fiction is concerned with the representation of ethnic identities and...
This study attempts to explore an issue that has become the source of embarrassment for one of the g...
This project investigates two early works of African American detective fiction, Pauline Hopkins’ Ha...
Instead of concurring with most critics that racial passing literature reached its apex during the H...
The article explores questions about Nick Enright's various dramatisations of the murder of Leigh Le...
Hannah Arendt’s monumental study The Origins of Totalitarianism, published in 1951, is a founding te...